The essay aims to explore the diaphasic, pragmatic, and interactional dimensions of Dante’s use of onomastics, with a focus on identifying the underlying principles that govern his various typologies. Specifically, it investigates the alternating use of ‘names + surnames’ and simple names (or other isolated designations). This perspective highlights the incorporation of juridical conventions as well as the significance of cultural codes in Dante’s onomastic choices.

I nomi e la voce. Funzioni diafasiche, ‘pragmatiche e ‘interazionali dell’onomastica nella Commedia di Dante

TERRUSI LEONARDO
2023-01-01

Abstract

The essay aims to explore the diaphasic, pragmatic, and interactional dimensions of Dante’s use of onomastics, with a focus on identifying the underlying principles that govern his various typologies. Specifically, it investigates the alternating use of ‘names + surnames’ and simple names (or other isolated designations). This perspective highlights the incorporation of juridical conventions as well as the significance of cultural codes in Dante’s onomastic choices.
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Utilizza questo identificativo per citare o creare un link a questo documento: https://hdl.handle.net/11575/137240
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