The essay is part of a large volume, devoted to various aspects of music in Venetians hospitals between the seventeenth and nineteenth centuries: organization and heritage of the institutions, female students and different personalities of composers, operas, sacred music, educational matters. On this research theme focuses the present essay, devoted on the instrumental teaching in the Venetians hospitals, with particular attention to that practiced at the Pio Ospedaletto to SS. Giovanni e Paolo by the violinist, composer and publisher Carlo Tessarini da Rimini (1690 ca. - 1766 ca.).Tessarini was active at least from 1716 to 1733 approx. in Venice, during this time he held the posts of violin teacher (acting as a "maestro dei concerti") at the Ospedaletto (1716-1719, 1727-1730), and violinist in the S. Marco chapel (1720 - 1733 approx.). In later years he worked more freely between Urbino, Paris, England and various centers in the Netherlands. The comparative analysis (Geminiani, Tartini) of the "Gramatica di musica. Insegna il modo facile, e breve per bene imparare di suonare il Violino su la parte" (1741), one of the first violin manuals distributed in print, and certainly related in content to the Venetian years, allows us to reconstruct the progression of the studies, the relationship between teaching the arch and the left hand, the fundamental importance of the duets, contained in his other collections (“Il maestro, et Discepolo”, 1734; “Trattenimento musicale. Dueti a due violini o due pardesus de viole”, 1750 ca.; “Six sonatas or Duetts”, 1754 ca.). Tessarini contributed, with his works and his violin activitie, to spread in Europe a model of instrument teaching that survived at least until the early nineteenth century.[...]

La didattica strumentale negli ospedali veneziani: il ruolo di Carlo Tessarini

BESUTTI, Paola
2004-01-01

Abstract

The essay is part of a large volume, devoted to various aspects of music in Venetians hospitals between the seventeenth and nineteenth centuries: organization and heritage of the institutions, female students and different personalities of composers, operas, sacred music, educational matters. On this research theme focuses the present essay, devoted on the instrumental teaching in the Venetians hospitals, with particular attention to that practiced at the Pio Ospedaletto to SS. Giovanni e Paolo by the violinist, composer and publisher Carlo Tessarini da Rimini (1690 ca. - 1766 ca.).Tessarini was active at least from 1716 to 1733 approx. in Venice, during this time he held the posts of violin teacher (acting as a "maestro dei concerti") at the Ospedaletto (1716-1719, 1727-1730), and violinist in the S. Marco chapel (1720 - 1733 approx.). In later years he worked more freely between Urbino, Paris, England and various centers in the Netherlands. The comparative analysis (Geminiani, Tartini) of the "Gramatica di musica. Insegna il modo facile, e breve per bene imparare di suonare il Violino su la parte" (1741), one of the first violin manuals distributed in print, and certainly related in content to the Venetian years, allows us to reconstruct the progression of the studies, the relationship between teaching the arch and the left hand, the fundamental importance of the duets, contained in his other collections (“Il maestro, et Discepolo”, 1734; “Trattenimento musicale. Dueti a due violini o due pardesus de viole”, 1750 ca.; “Six sonatas or Duetts”, 1754 ca.). Tessarini contributed, with his works and his violin activitie, to spread in Europe a model of instrument teaching that survived at least until the early nineteenth century.[...]
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Utilizza questo identificativo per citare o creare un link a questo documento: https://hdl.handle.net/11575/3262
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